The Grapes of Rapture - March 2008
Thanks in part to the Food Network's obsession with celebrity and in part
to America's increasingly sophisticated palate, creative, classically
trained chefs with an air of humility and respect for tradition are
disappearing faster than French fries cooked in lard. On both counts,
it's enough to make this critic cry. However, after two recent meals at
O'Keeffe Café, I have numerous reasons to wipe away my tears.
Within the walls of a 150-year-old adobe structure said to have housed
Union troops during the Civil War, a new kind of brigade has taken up arms.
Tea-colored walls, spotless Riedel stemware, stunning photographs of
café namesake Georgia O'Keeffe, and candy-apple-red furniture may belie
the true history of this space -- but a heated battle is still being fought
there on a daily basis. And executive chef Laurent Rea, a recent Santa Fe
transplant by way of L'ƒtoile restaurant in San Antonio, Texas, is leading
the charge.
After training in Strasbourg in the Alsace region of France and completing
a stateside mentorship under the banner of legendary chef Paul Bocuse,
Rea now merges his classical training with a delicate approach to modern
fusion. Be warned, though: if you're pining for another contrived take on
Southwestern cuisine, you'll have to look elsewhere.
Rea's constantly changing menus are deeply influenced by his culinary
past, with a reverence for traditional French sauces and a bounty of
seasonal ingredients culled from regions near and far. Paired with O'Keeffe
Café proprietor Michael O'Reilly's stellar wine list and a knowledgeable
service staff that never hovers or stoops to haughtiness, the execution of
Rea's vision -- after only a few months of experimentation -- is nearly
flawless.
Color this bouche amused
Trying to get three opinionated wine lovers to settle on a single bottle
from a list of more than 200 choices is a challenge, but we finally agreed
on a bottle of Jed Steele's Shooting Star Blue Franc -- a supple, spicy,
berrylicious wine made from Lemberger (also known as Blaufränkisch) grapes
grown in Washington state's Yakima Valley. With a cultivation history
originating in Germany and France, it's a perfect (and surprisingly
affordable) varietal accompaniment to many of the chef's creations.
An amuse-bouche of warm brie on a thin pastry wafer piqued my appetite,
just in time for the arrival of a rich, buttery carpaccio of fat-marbled
Kobe-style beef with wasabi creme fraiche. An eggplant salad with sake-soy
vinaigrette slightly overpowered the beef, but on a later visit, the dish's
balance was just right. An appetizer of escargots with porcini mushrooms
and garlic-parsley butter in crispy crêpe baskets was a good study on the
mushroom's inherent earthiness, but the snails' delicate flavor all
but disappeared.
Foie gras is a staple of Strasbourg cuisine, and Rea's au torchon rendition
-- marinated, wrapped in cloth, poached slightly, and chilled -- is
transcendent. Smooth, slightly sweet, and served with a citrus-apple compote
and bread, it bests all foie gras dishes offered by Santa Fe kitchens still
bold enough to serve it. A menu-suggested pairing of 2006 Quady Essencia
orange muscat from California could not go unexplored; it was a match made
in heaven.
My tender, medium-rare elk tenderloin with chipotle chutney and grain-mustard
spaetzle was equally superb, its wild mushroom sauce just tame enough not to
distract from the dish's other components.
Vegetarian cannelloni with ricotta, spinach, and eggplant with fresh tomato
and basil coulis was a triumph on all counts, especially when supped with the
wine. Sautéed mahi-mahi with crabmeat and jicama relish elevated an otherwise
mundane, meaty white fish to greatness, with the help of a coconut-ginger
emulsion. Rea's menus are flecked with small Asian touches like this one, and
they serve his palette well.
We passed on dessert and coffee, but I vowed to satisfy my sweet tooth on a
follow-up visit.
Paradisiacal pairings
Rea's prix fixe tasting menu is available with or without wine pairings and
includes dessert, coffee, and an intermezzo. The chef's classical training
shines here, but, thankfully, nothing feels outdated. An amuse-bouche of
smoked duck breast and frisée lettuce with a maple vinaigrette atop a fried
won-ton skin was hard to manage with a fork -- so I happily declared the dish
architectural finger food and slid the delicious bundle into my mouth like
a raw oyster.
A spinach-ricotta-lobster ravioli with shrimp velouté came garnished with a
small lobster claw. Paired with a generous pour of 2006 Henri Bourgeois
sauvignon blanc from the Loire valley, it was my second favorite course of
the evening. Next came the Kobe-style beef carpaccio, served with a 2006 Louis
Latour Chameroy Macon-Villages. As with every other course, the pairing was
perfect.
Seared sea scallops with wild mushroom risotto, truffled nage -- an aromatic
broth, in this case enhanced with a little cream and citrus -- and a surprise
shaving of black truffle left me speechless. Or was it the 2006 Castle Rock
pinot noir from California, whose mellow notes of vanilla, plum, and cedar
seemed tailor-made for the scallops?
An intermezzo of mango sorbet swimming in Gruet Brut sparkling wine from New
Mexico swept the palate clean, making way for a tender filet mignon of lamb
with cumin lamb jus and a wedge of rösti (grated potato cake). A 2005 Silver
Palm California cabernet sauvignon stood up well to the delicately spiced
lamb, but the rösti's cumbersome chewiness was a distraction.
A warm sliver of dense Chocolate Decadence rested somewhere between a flourless
torte and a moist cake. Accompanying coffee ice cream and orange muscat dessert
wine made for a perfect ending to a nearly perfect meal. I passed on the coffee,
because after taking in Rea's astounding tasting menu, I couldn't imagine being
lifted any higher.
Rob DeWalt New Mexican Pasatiempo 3/7/08
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